About

I’m a musician and film producer from London.

COMPOSER:
I write music for a wide variety of film, TV, videogames and podcasts. Previous projects have included scores for the BBC 1 / Warp Films TV drama Reunion (starring Anne-Marie Duff, Eddie Marson and Rose Ayling-Ellis), Simon Amstell’s feature film Carnage (starring Martin Freeman and Alex Lawther), and the Channel 4/TUBI series Big Mood (starring Nicola Coughlan and Lydia West).

I also wrote the theme song to the CBeebies/HBO Max children’s animation Love Monster, scored several of Charlie Shackleton’s award-winning documentaries including Beyond Clueless and Fish Story and Elizabeth Sankey’s award-winning Witches.

I’m represented as a composer by MRKR in the UK/ROW and by KCA in the USA.

FILM PRODUCER:
I produced Elizabeth Sankey’s film Witches, which won Best Independent Documentary at the BIFAs in 2024 and Best Single Documentary – Domestic at the Griersons in 2025. It also won the Insights NTR Audience award at Inscience 2025, the Jury Award for Visions at Tribeca 2024, and received an Honorable Mention at FIC Monterrey 2024. It was released worldwide on MUBI in November 2024.

I also produced Sankey’s previous film Romantic Comedy, which played at IFFR, SXSW, AFI and Sheffield DocFest in 2019, and was distributed in the UK by MUBI. Now available to screen on Amazon Prime.

MUSICAL ARTIST:
I sang & played various instruments in the band Summer Camp with Elizabeth Sankey, now on hiatus. I release music under my own name and write with and produce other artists.

PRESS:
‘Hypnotic and enveloping… the moody and evocative score elevates the film from intriguing thesis to arthouse mood piece’ – Sight & Sound
“The superb soundtrack builds into a suitably steamy crescendo.” The Guardian
“The film also boasts a cracking score by Summer Camp’s Jeremy Warmsley.” – Little White Lies
“Farewell to Condale, the ’80s teen-flick soundstage for Summer Camp’s brilliant rom-pop 2011 debut; welcome to the slick ’90s house club of their equally impressive second… Glorious.” NME