FEATURE FILMS
THE AFTERLIGHT (2021). Dir Charlie Shackleton. Loop Films. Full score. Experimental found-footage art film. “Disappointing in that it doesn’t go on forever” – Sight and Sound
HOMEBOUND (2021). Dir Seb Godwin. BBC Films / BFI Films. Full score.
British independent haunted-house horror film. “Short yet elliptical and haunting, and keeping its secrets” – Little White Lies
UNDERGODS (2020). Dir. Chino Moya. Additional music (Theme).
An otherworldly journey through a Europe in decline, UNDERGODS is a collection of darkly humorous, fantasy tales about ill-fated characters and their tragic misadventures. Trailer (feat. my score).
CARNAGE (2017). Dir. Simon Amstell. BBC iPlayer. Full score.
It’s 2067, the UK is vegan, but older generations are suffering the guilt of their carnivorous past. Simon Amstell asks us to forgive them for the horrors of what they swallowed. Watch on BBC iPlayer (UK).
FEATURE DOCUMENTARY FILMS
ROMANTIC COMEDY (2020). Dir. Elizabeth Sankey. Mubi (UK), 1091 (USA). Full score – also co-produced the film.
Our most-loved romcoms are torn apart and scrutinised for their unrealistic pictures of male-female relationships and white, heterosexual, middle-class characters. Why does the woman always have to be saved by a man? Trailer. Watch on Amazon (US). Watch on Amazon (UK).
FEAR ITSELF (2015). Dir. Charlie Shackleton. BBC4. Full score.
A documentary taking viewers on a journey through fear and cinema, and asking whether horror movies know us better than we know ourselves. Watch on Vimeo.
BEYOND CLUELESS (2014). Dir. Charlie Shackleton. Netflix 2015-17, Mubi 2021-22. Full score (as Summer Camp).
Beyond Clueless is a dizzying journey into the mind, body and soul of the teen movie, as seen through the eyes of over 200 modern coming-of-age classics. Watch on Mubi.
TELEVISION DRAMA/COMEDY
THE POWER OF PARKER (2023). Starring Conleth Hill and Sian Gibson. BBC One.
BRITNEY (2021). Starring Charly Clive and Ellen Robertson. BBC3 (UK).
SILKY HOTEL (2021). Starring Susie Blake. BBC Arts.
WANDERLUST (2018). BBC 1 / Netflix. Composed in-universe song.
TV FACTUAL
BRIAN WILSON, LE GENIE EMPECHE DES BEACH BOYS score (Arte). Full score.
BOOBS (2022). Dir. Elizabeth Sankey. Channel 4. Full score.
GUILT-FREE PLEASURES (2020). Dir. Catherine Bray. BBC4 (UK). Full score.
MEET THE FAMILY (2019). Dir. Catherine Bray. BBC4 (UK). Full score.
BIG SCOTTISH BOOK CLUB (2019-). BBC Scotland. Theme song.
RANDOM ACTS S3,4 (2017). Full score.
ANIMATION
LOVE MONSTER (2020-). Cbeebies, HBO Max. Theme song.
ROCKY & BULLWINKLE: DARK SIDE OF THE MOOSE (2018). Theme Song.
GAMES
LINDA & JOAN: “FOUR MONTHS EARLIER” (2020). Music. iOS/Steam
LANDLORD’S SUPER (2019-). Minskworks/Yogscast. Music, some sound design. Steam
JALOPY (2016). Minskworks/ Excalibur. Music, some sound design. Steam/Xbox
SELECTED SHORT FILMS
RIGHT PLACE, WRONG TIM (2018). Starring Asa Butterfield. Channel 4
WASH CLUB (2017). Winner – Nexus Film Awards, best score.
FISH STORY (2017). Dir. Charlie Shackleton. Winner – BIFA, best short. Winner – Grierson Trust, best short.
RADIO/PODCAST
HISTORY’S SECRET HEROES theme (narrated by Helena Bonham Carter)
KILLING VICTORIA full score (BBC Studios)
BELIEVE IN MAGIC full score (BBC Studios, narrated by Jamie Bartlett).
OBSCENE: DUBLIN SCANDAL full score (BBC 5 Live, narrated by Adrian Dunbar)
ICON full score (BBC Radio 4, by Alan Hall, featuring Gail Porter etc)
“Suitably atmospheric music from Jeremy Warmsley” Radio Times
TIME FLIES full score (BBC Radio 4, by Eleanor McDowall and Michael Segalov)
“Enhanced by an original score by Jeremy Warmsley” Sunday Herald
ROOM 5 Seasons 1 +2 full score (BBC Radio 4, prod. Helena Merriman)
GOODBYE TO ALL THIS full score and theme song (BBC World Service / Falling Tree)
“There is terrific music, too, from Summer Camp’s Jeremy Warmsley, which drifts in and out without ever intruding on the narrative.” Financial Times
THE ESCAPE ARTIST full score (BBC Radio 3, by Ross Sutherland)
HOUSE OF DREAMS full score (BBC Radio 4 / Falling Tree, by Eleanor McDowall
“Music, specially made by Jeremy Warmsley seemed to reflect Wright’s gentle eccentricity, his care and love.” Guardian
Jeremy Warmsley 
